Enara Bravo aka Ruda Handpoke (Barakaldo 1981), trained in audiovisuals, I left that field some time ago to develop a work and life project in the rural world. For years I have been a handpoke tattoo artist in the Bilbao studio Petra Tatuajes and at the same time I develop textile pieces with a special interest in native
wool. My work explores the intersection between tradition and avant-garde, with a focus on needles, rural memory and sustainability. As a blackwork tattooist, I have always favored tattooing without a machine.
Although I design digitally, I return to tradition now of tattooing by building my pieces stitch by stitch, simply with needle and ink. My flash is composed of pieces of flowers, antique embroidery, broken vases, crying eyes, animals, warriors or elements of old school and ignorant style that are building the imaginary Ruda Handpo.
In textiles, I use natural materials and ancestral techniques, working with wool from my sheep, processed in a domestic way. Through felting, embroidery and the recovery of old fabrics, I explore themes such as feminism, class consciousness or the preservation of rural knowledge. The needle is the common axis that runs through my work, whether on leather or textiles, transforming both digital designs and traditional techniques into narratives that dialogue between the present and the past.